Kyle has worked with brands including Condé Nast, Coach, J.Crew, and Saks Fifth Avenue, among others. His personal work explores themes of memory, preservation, and visual documentation. He is also an avid photographer, often shooting street photography on his Mamiya 645 Pro.
Site updated April 2026
Vogue tasked us with developing a non-issue-specific acquisition email aimed at prospective subscribers. The creative needed to be evergreen, capturing the full breadth of the Vogue universe. To achieve this, we curated imagery from Vogue Weddings, events, beauty, and runway, crafting a dynamic banner animation that feels both timeless and fully representative of Vogue’s diverse offerings.
- Year: 2026
- Software: Figma
*Designed in partnership with the Condé Nast design/art direction team
Vogue commissioned us to refresh their app download campaign email, with the goal of aligning it to the newly evolved Vogue ecosystem and clearly showcasing the app’s updated benefits following its relaunch.
In close collaboration with Vogue’s marketing team, we identified four key features to spotlight: the Runway experience, the Save tab, the Shopping tab, and the newly launched Runway Genius quiz game. To capture attention from the outset, we also created a compelling, visually engaging animation for the top of the email, designed to draw readers in and set the tone for the experience that follows.
- Year: 2026
- Software: Figma, After Effects
*Designed in partnership with the Condé Nast design/art direction team
The New Yorker tasked us with developing launch messaging for Shuffalo, a new daily game debuting on November 3. The goal was to drive engagement while reinforcing subscription value, using a flexible model that allowed non-subscribers to sample the most recent seven days of puzzles while reserving the full archive for subscribers.
We created a series of email and newsletter placements, including an acquisition email to drive subscriptions, a launch email to active subscribers to encourage gameplay, and a newsletter module with deep links to Shuffalo to extend reach across touchpoints.
- Year: 2026
- Software: Figma
*Designed in partnership with the Condé Nast design/art direction team
As a graphic designer at Saks, one of my main responsibilities was designing marketing emails. Emails were created weekly alongside copywriters, producers, and content marketers. They were reviewed at the end of each week and sent out in blasts two weeks later.
- Year: 2022–2023
- Software: Adobe Photoshop
- Year: 2021–2022
- Software: Adobe Photoshop
As a graphic designer at Saks, one of my responsibilities was designing seasonal shopping books. For Fall 2023, we partnered with our art directors to bring a relatable and real-world feeling to our photography and design. We swapped out our usual serif font for a graphic sans-serif that made the book feel fresh and exciting.
I was tasked with designing the “Fall Essentials” portion of the book. This section focused on core staple items that the customer should integrate into their fall wardrobe.
- Year: 2023
- Software: Adobe InDesign
- Typefaces: Trade Gothic
*Designed in partnership with the Saks design/art direction team
Coach has worked on numerous collaborations with Disney. For this collaboration, Coach featured characters from One Hundred and One Dalmatians, Dumbo, and Bambi. We were tasked with creating branding that was equal parts Coach and Disney for the campaign launch. To do so, we created stickers of Disney characters using vintage-inspired Coach colors. From there, we created unique compositions with stickers around our usual branding materials.
- Year: 2020
- Fonts: GT America/Garamond Pro
- Software: Adobe Photoshop/InDesign
For Fall 2022, I was tasked with designing branding for the Saks Men’s Sneaker Campaign. The campaign features photographs of each participating brand’s sneaker alongside links to shop for the shoes. The concept for the photography was to place the shoes in natural settings where the customers would likely wear the shoes.
Click the image to be brought to the article.
Year: 2022
Software: Adobe Photoshop/Adobe InDesign
For the launch of the Citysole sneaker, Coach requested illustrations and posters detailing the functions of the shoe. I was commissioned to create the illustrations and poster designs. I created outlines of the shoe that eventually went on to be the final illustrations used on the marketing posters. The final posters were displayed in Coach stores all around the country.
- Year: 2020
- Fonts: GT America/Garamond Pro
- Software: Adobe Photoshop/InDesign
As a Digital Designer at J.Crew, I was responsible for designing the J.Crew stories landing pages. J.Crew featured collaborations and interviews with various talents and often requested special landing pages to go along with each feature.
- Year: 2021–2022
- Fonts: GT America/Garamond Pro
- Software: Adobe Photoshop/InDesign
For NYFW, Agbobly presented their first collection titled “Bienvenue À Bord”. The collection explores Agbobly’s experience moving from Togo to the United States.
As the Assistant Stylist for the collection, I was in charge of finalizing all the looks, dressing models and choosing accessories for each outfit.
Images by Nicholas Needham.
Year: 2024
While at Saks, one of my responsibilities was creating ads for various print publications. For father’s day, we partnered with professional surfer Mason Barnes and his dad to create a New York Times ad that felt youthful, playful, and fresh. The ad was published in the Sunday Style section of the New York Times on June 18th, 2023.
- Year: 2023
- Software: Adobe Photoshop/InDesign
While at Saks, I had the opportunity to help concept the branding for Fall 2023. We developed a cutout concept where models would be collaged on top of studio backgrounds in multiple poses to show the dynamic fashion of the season. Additionally, we wanted the branding to feel colorful, approachable, and carefree.
I helped select the final image used in this Vogue ad from our Fall 2023 photography. We decided against the cutout treatment for this ad, as it felt too distracting for the publication. Once the final image was selected, Stephanie Oliveri designed the layout to be sent to print production.
- Year: 2023
- Software: Adobe Photoshop/InDesign
- Image Selection: Kyle Tranquilli/Stephanie Olivieri
- Layout Design: Stephanie Olivieri